About the Artist
“Live every day like it could be your last… But never stop believing in tomorrow. “
Award winning artist, Janet Jordan MD, combines those two phrases to emphasize the contrecoup nature of life, possessing both extraordinary beauty and heartbreaking fragility. As an Emergency Physician, her curious transition from doctor to artist reflects her innate talent and recognition of the universal healing power of art. She describes her long career in medicine as a study on the human condition, with joy and sorrow on full display. Turning to figurative sculpting to seek balance and quiet her mind it helps her synthesize and express all that she experiences. She explains, “In discovering a love for figurative sculpting, I found a way to combine my fascination with anatomy and my desire to express cherished enlightenments accrued throughout life.”
Jordan reveals her soulful inner world of magical beauty with her body of work completed in the lost wax bronze process. Her initial sculpt is in oil-based clay which she finds very forgiving. She laughs, “If you don’t like the way something looks, you can just slice it off and do it over again. It’s not that way in the ER.” She does find that her quiet, creative time in the studio, helps her maintain a sense of calm in her work life as a physician.
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Her series of 24” bronze “Muses” spans from whimsical carnival performers to fantasy/mythological characters. Although each piece will make you smile, the message conveyed represents a pearl of wisdom, with a hint for the viewer provided in the title. "Greyhound Bus Stop" is a lesson in mindfulness, as a retired racing greyhound tugs at her leash to slow down her human, who is racing through life too fast. Both are on roller skates. Her beautiful carnival jugglers have an encounter, as the male is retrieving the third juggling ball for his female partner. “Gallantry Takes Balls". Collectors have described her pieces as “both strong and vulnerable” while the humor in her titles is subtle. Her art nouveau style, with curves, symmetry, and frill reflects her extensive study internationally, focusing on Mucha in Prague and Klimt and Schile in Vienna.
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“Loved and Endangered Species”, her second body of work, was strengthened by her travels to South Africa, Zambia and Botswana. Safari game drives at private reserves allowed close up encounters and animal sightings in the vast wilderness of their natural habitat. Her elephant pieces were inspired by both their beauty and high emotional intelligence. In watching elephant behavior, “Legacy” represents the social and ritualistic behavior as elephants mourn their dead. “A Bull Musth Scratch His Itch” depicts a strong male elephant, scratching his neck aggressively against a tree as he searches for a mate. When a bull is in heat, this is called “musth.”
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Currently, she enjoys her days sculpting at her studio on Table Rock Lake, Branson, MO. Surrounded by beautiful table formations of limestone, she frequently scavenges the shoreline, finding beautiful rocks and driftwood, using them as bases for her bronzes. “Doc on the Rock”, her lake view studio, is filled with dogs, flowers, guitars, and loud singer/songwriter music. She describes figurative sculpting as a beautiful language to express what her eyes see and her heart feels.
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Artist Statement
As a child, I regularly carved turtles and elephants from new bars of Ivory Soap. I spent a majority of my childhood in an imaginary world, with art consuming my playtime. As an adult, exercising my creativity has been a gift that has proven valuable in all areas of my life. In Emergency Medicine I practice the “art of medicine”. Here my intuitive senses and genuine empathy are as valuable as my fund of knowledge. So, my path from physician to sculptor has not been as circuitous as it might seem.
Whimsical, endearing, uplifting and thought-provoking are all words I have heard when others describe my work. I love this because I aspire to evoke common emotions regarding valuable life lessons, love for family and gratitude for the gift of life. Divided into two main genres, the stories told cross all walks of life. My Muses are 24-inch females (mostly), stylized and idealized but anatomically accurate and believable. My collection of Loved and Endangered Species is a challenge and has been a natural progression in my never-ending curiosity. My love for anatomy and kinesiology does not limit itself to one species.
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Each piece originates from some otherworldly creative space, that has been nurtured in my character since childhood. Usually, in the late night or wee hours of the morning, a creative visualization awakens me and spins through my head. It seems to be an amalgam of life experiences and my unconcise emotional processing of them. The subject and pose are solidified but only during the process, do I recognize the meaning I want to convey. While sculpting, fun titles swirl around and I write them on the armature board. In the end, the best title shows itself without question.
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Modeling in oil-based clay is only the beginning. The multiple-step process involves travel and relationships. First to the mold maker in Madison, KS, then the foundry in Lawrence, KS, patina artist in Loveland, CO, granite shop in Nixa, MO and then back to my Table Rock studio for professional photos. As the conductor, I recognize the end result is a product of multiple artistic souls coming together for our masterpiece.
The online marketing…..ummmm….. is the thorn in my side. As a doctor living at Table Rock Lake my studio defaulted to the name “Doc on the Rock.” It also serves as a makeshift gallery and workshop for locals, friends and neighbors. At times it is a clinic, where I suture, assess, and refer to the ER for more extensive workup. I love this life. I have the best of both worlds.
Art is still my playtime. It helps me reach a state of mindfulness, relaxation, meditation, and peace. Watching animals is fun homework, especially in comparison to anatomy lab. Whether human or animal, my subject matter always tugs at my heartstrings and usually represents a universal lesson I have learned in life.
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Patiently Waiting (My poem about art and medicine )
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Since I can remember
They have always been there
Those heavy lines and creases
That map out my life
Upon my hands
While other little plump moist fingers
Molded clay ashtrays
For their mothers
Mine were sculpting shapes
Without bases
Defying nature…
Much older and wiser than me
They tailored Barbie dresses
As if anticipating
Suturing faces
Scaling the keyboard
They would lure my father in
Baited by the music
He would pace until he’d win
And my fingers would yield to his
They’ve grown accustomed
To turning pages
Highlighting phrases
Carefully selected to
Always be remembered
And while drawing soft circles
On little bedtime backs
As eyelids get heavy
They sense the same lure of music
Alive in one son
And feel the same hands
With those lines and creases
Small reproductions of mine
In the other son
Defying nature…
Hidden as a child
These grandma hands
Have patiently waited
For the rest of me
To grow into them
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Resumé
Art Education
2019 -2000 Studied The Great Masters through European Travel
Rome, Florence, Venice, Italy
Paris, France
Antwerp, Belgium, Studied animal sculpture of Rembrandt Bugatti
Vienna, Austria Studied the art of Klimt &Schile
Prague,Czech Republic Studied art of Mucha
2019 Studied Endangered Species
South Africa, Botswana, Zimbabwe private wild game reserve
2017 Beth Cavener, Sculpting Gestures in Animals, Helena, Montana
2017-2014 Alyson Stanfield Art Biz Success Course
2016- 2006 Lincoln Fox Figurative Sculpting
2016-2014 2Sculpt Stone Sculpting workshop, Sculpting alabaster and marble, Lawrence, KS
2014 Louise Peterson Sculpting the Dog, Brookgreen Gardens, South Carolina
2011 Sandy Scott Sculpting the Bird in Flight, Brookgreen Gardens, South Carolina
2010 Vala Ola, Sculpting the Female Figure, Scottsdale Artists’ School, Scottsdale, AZ
2008 Philippe Faraut Portrait Sculpting, Lawrence, Kansas
Exhibitions
2020 Juried in to the Sedona Arts Festival
2019 Presentation “Sculpting Life’s Lessons” Springfield Regional Arts Council, Springfield Art Museum
2019-2015 Springfield Regional Arts Council, Juried Exhibition
2018-2017 Stone County Art Studio Tour, Juried Exhibition, Stone County, MO
2017 Southwest Missouri Museum Association, Springfield Art Museum
2017 Hollister Grape & Fall Festival, Juried Exhibition, Hollister, MO
2016 Farmer’s Park Art Show, Juried Exhibition, Springfield, MO
2015 Fundraiser for Officer Aaron Person, Springfield Police Officer shot in line of duty
2014-2016 Fresh Art Gallery, Juried Co-Op Artist Operated Art Gallery, Springfield, MO
2014 Waverly House Gifts & Gallery
Awards
2020 Panelist for selection of award recipient, Janet Jordan Special Recognition Award, Spirit of Resilience, Manhattan Arts International
2019 Featured Artist Award in the “Her Story” Exhibition
Manhattan Arts International Inc.
2019 Denisa Prochazka Special Recognition Award, Sculptor
2016 Best of Show Award, Open Juried Competition
Fresh Art Gallery, Springfield, MO
“I’ll Fly Away”
2015 Juried Show Exhibit “At Play”
Springfield Regional Arts Council
“Greyhound Bus Stop”
2014 Honorable Mention, Open Juried Competition
Fresh Art Gallery, Springfield, MO
“Leap Frog” Lost Wax Bronze
2014 Best of Show
Waverly Art Gallery
“Surface Tension”
Art Publications
2019 Green County Medical Society Journal, “Emergency Medicine and Sculpting” by Dr. Jim Blaine
2016 Featured Artist Article by Camille Dautrich
2015 Springfield News Leader Featured Artist Article by Camille Dautrich
Memberships
Manhattan Arts International
Springfield Regional Arts Council
Patron Crystal Bridges Museum of American Art, Bentonville, Arkansas
SMMA Southwest Missouri Museum Association
National Sculpture Society
Created to Thrive Mentoring Program
Prairie Sculpture League, Lawrence, KS
Society of Animal Artists
Higher Education
1991 Board Certification Emergency Medicine
1987 Doctorate of Medicine, University of Kansas Medical Center, Kansas City, Kansas
1980-1983 Assistant Professor in Applied Anatomy/ Kinesiology, University of Kansas
1980-1983 Studied Human Biology for Pre-med requirements
1977 BFA Occupational Therapy, University of Kansas